ID |
Image |
Oil Pantings, Sorted from A to Z |
Other Information |
73944 |
|
View along the East Battery |
23 3/4 in. x 35 1/4 in. Mabel Brady Garvan Collection, Yale University Art Gallery. Courtesy of Yale University, New Haven, Connecticut.
Date 1831
cyf
|
72159 |
|
View at Tivoli |
between 1840(1840) and 1842(1842)
Oil on linen
58.4 X 41.6 cm (22.99 X 16.38 in)
|
71663 |
|
View from Mount Merino near Hudson |
ca. 1849(1849)
Oil on canvas
65 x 91.1 cm (25.59 x 35.87 in)
|
72973 |
|
View from Mount Merino near Hudson |
Date ca. 1849(1849)
Medium Oil on canvas
Dimensions 65 X 91.1 cm (25.59 X 35.87 in)
cyf |
52527 |
|
View from the Artist-s Window |
c. 1825 Oil on canvas, 38 x 30 cm |
48561 |
|
View from the back of the villa towards the exedra |
mk190
one of a set of six view
1753
|
35440 |
|
View in the Jungle Ferry,Jungleterry Bengal |
mk102
c.1786
Oil on canvas
65x52.7cm
|
48432 |
|
View of a complete garden in the manner of de Vries-s Hortorum formae with a typically sparse planting of flowers |
mk190
|
72167 |
|
View of a Field |
between 1850(1850) and 1855(1855)
Oil on paper
16.8 X 31.3 cm (6.61 X 12.32 in)
|
48427 |
|
View of a geometric garden compartment with a herber of the kind seen in plate 183 |
mk190
|
27625 |
|
View of a hill-top town in a mountainous landscpae |
mk56
oil on original canvas
|
35426 |
|
View of a Mosque at Rajmahal |
mk102
c.1786-87
Oil on canvas
105.5x28cm
|
35436 |
|
View of Benares with Aurangzeb-s Mosque |
mk102
c.1781-82
|
35420 |
|
View of Calcutta from Garden House Road |
mk102
c.1781
Oil on canvas
63.5x95.3cm
|
35421 |
|
View of Clcutta |
mk102
c.1781
Oil on canvas
91.5x115.5cm
|
75866 |
|
View of Diamond Head, oil on canvas painting by Joseph Dwight Strong |
View of Diamond Head, oil on canvas painting by Joseph Dwight Strong.
cjr |
44850 |
|
View of Florence |
mk176
c.1480
|
35380 |
|
View of Funchal Madeira |
mk102
1772
|
48531 |
|
View of Longford Castle at an angle with the second flower garden |
mk190
left
1680s
|
48589 |
|
View of one of the topiary allees |
mk190
c.1750
|
35390 |
|
View of Owharre Fare Harbour,Island of Huaheine, |
mk102
September 1773
Oil on canvas
34.3x51.5cm
|
71640 |
|
View of Pantheon |
'View of Pantheon', oil on canvas paintng by Ferdinando Partini, 1794, |
35384 |
|
View of Pickersgill Harbour,Dusky Bay Sound,New Zealand,April 1773 |
mk102
65.4x73.1cm
|
74194 |
|
View of Rome from Via Trionfale, close to the Madonna del Rosario convent. |
View of Rome from Via Trionfale, close to the Madonna del Rosario convent. On the left the arch that leads to Villa Mellini, now an observatory. Oil painting by Salomon Corrodi, 1876.
cjr |
72745 |
|
View of the Brooklyn Bridge |
1889 painting by Emile Renouf
Date 1889
cyf |
48586 |
|
View of the circular pond obelisk and amphitheatre |
mk190
c.1725
|
35425 |
|
View of the City of Rajmahal |
mk102
c.1781
Oil on canvas
62.5x70.2cm
|
35435 |
|
View of the Fort of Bidjegur |
mk102
c.1781-82
Oil on canvas
99.1x157.5cm
|
35433 |
|
View of the Fort of Bidjeur |
mk102
Oil on canvas
61.25x101.5cm
|
35431 |
|
View of the Fort of Pateeta |
mk102
c.1781-82
Oil on canvas
58.5x68.5cm
|
35432 |
|
View of the Fort of Pateeta |
mk102
c.1781-82
Oil on canvas
61x101.7cm
|
48542 |
|
View of the garden at Wilton,with the great classical villa as originally envisaged |
mk190
c.1635
|
48499 |
|
View of the Garden at Wotton,Surrey,from the top of the Grotto |
mk190
1653
British Library.London
|
48494 |
|
View of the Gardens of the Villa d-Este |
mk190
c.1568
Villa d-Este
|
35437 |
|
View of the Ghats at Benares |
mk102
1787
Oil on canvas
91.5x130.8cm
|
35441 |
|
View of the Jungle Ferry Jungleterry in Bengal,the animals painted by Mr Gilpin |
mk102
c.1785
Oil on canvas
129.5x180.3cm
|
48602 |
|
View of the Lower lake at Studley Royal |
mk190
part of the grounds laid out in the 1720s and 1730s for John Aislabie.
|
72238 |
|
View of the Natolin Palace |
Date 1852(1852)
Medium Oil on canvas
Dimensions 46.5 X 62.5 cm (18.31 X 24.61 in)
cyf |
71142 |
|
View of the Natolin Palace. |
1852(1852)
Oil on canvas
46.5 x 62.5 cm (18.31 x 24.61 in)
|
35398 |
|
View of the Province of Oparree Pare,Island of Otaheite,with Part of the Island of Eimeo Moorea |
mk102
1775
Oil on panel
76.2x123.2cm
|
35429 |
|
View of the Ruins of a Palace at Gazipoor on the River Ganges |
mk102
c.1785
Oil on canvas
61x71.1cm
|
64191 |
|
View of the Seine in Paris |
167 x 339 mm Museum Mayer van den Bergh, Antwerp , Artist: CALLOT, Jacques , View of the Seine in Paris , 1601-1650 , French , graphics , landscape |
48590 |
|
View of the Stables and entrance lodge |
mk190
c.1750
|
67450 |
|
View of Vegesack |
View of Vegesack (Bremen), Germany, at the river Weser in the year 1847. Oil painting by Carl Justus Harmen Fedeler (1799?C1858).
|
73505 |
|
View of Venice |
Oil painting reproduction of Ferdinand du Puigaudeau.
cjr |
48439 |
|
View to the east front of Hadham Hall,Hertfordshire |
mk190
across the garden wall,late seventeenth century
|
48588 |
|
View to William Kent-s temple on the island |
mk190
c.1750
|
79447 |
|
View_of_Larsen_Square_near_Copenhagen_Harbor |
"View_of_Larsen_Square_near_Copenhagen_Harbor", painting by Danish artist Carl Dahl. Oil on canvas, 21 5/8 x 27 3/4 inches. Thorvaldsens Museum
Date c. 1840
cjr |
61475 |
|
vigselakten ikungliga kapellet i st james palace mellan drottning victoria och prins albert. |
mk275 vigselakten ikungliga kapellet i st james palace mellan drottning victoria och prins albert. |
61140 |
|
vII elias maetin |
mk271 naturstudie fran roslagen akvarell uppsala universitetsbibliotek |
49616 |
|
Vikingaskeppen each endow with several couple aror and sail |
mk199 A bit of them had formodligen also one dackshus,som gave shelter joke nybyggarnas female and baby |
48500 |
|
Villa Belpoggio Frascati |
mk190
1620
|
39857 |
|
Village Scene in Bengal |
mk153
ca.1812-1820
Oil on canvas
22x28 |
65026 |
|
Villani Chronicle |
1390s Illumination on parchment Biblioteca Apostolica Vaticana, Vatican The Chronicle depicts scenes from the history of Florence. This miniature represents the Conquest of Fiesole. The miniaturist followed French examples. , MINIATURIST, Italian , Villani Chronicle , 1351-1400 , Italian , illumination , historical |
65029 |
|
Villani Chronicle |
1390s Illumination on parchment Biblioteca Apostolica Vaticana, Vatican The Chronicle depicts scenes from the history of Florence. This miniature represents the Conquest of Carmignano. The miniaturist followed French examples. , MINIATURIST, Italian , Villani Chronicle , 1351-1400 , Italian , illumination , historical |
73712 |
|
vincent van gogh boederij met turfhopen 1883 |
vincent van gogh boederij met turfhopen 1883
cjr |
74385 |
|
Vincent van Gogh Wheatfield |
Nederlands: Vincent van Gogh Wheatfield
cyf |
48954 |
|
Vintermansken |
mk187
1895
Oil slick pa screen
100x134cm |
59868 |
|
vinternatt i fjalen |
mk269 1901 olja pa duk 161 x 184 cm
nationalmuseum, stockholm |
68501 |
|
vintersolen star lagt mitt pa dagen |
polarforskning under det tidiga 1800-talet
se |
26291 |
|
Violet Iris |
This is realistic painting and painted by our original artist. |
26315 |
|
Violet Rose |
This is realistic still life, oil painting on canvas. |
78894 |
|
Violets |
1904
Medium Oil on canvas
cyf |
60133 |
|
Violin keying |
mk270 this 19th century watercolour by per nordquist show a man playing the nyckelharpa or keyed fiddle. |
57182 |
|
Violinist |
mk253 canvas 143 x 105 .3 cm Moscow in 1918, the State Tretyakov Gallery collection |
64141 |
|
Virgin and Child |
1475-1500 Oil on oak panel, 38 x 29,7 cm Private collection The Virgin is carrying the naked Infant Christ, who is sitting on a cloth, in both hands. She is in front of a wall-hanging in red-gold brocade and is clothed in a dark blue garment with a grey fur lining and a mantle of the same colour (in fact it has darkened into blue-green). With his left hand the Child reaches for the hanger of a necklace made of red coral (possibly an allusion to the blood of his sacrifice), and in his other hand he holds a pear (as the fruit of the `new Adam', an allusion to Salvation). The Virgin is situated in front of a golden balustrade with an arcade of rounded arches which encloses the choir of a church with stained-glass windows. She appears behind a golden arch resting on brown marble pillars. The image should probably be interpreted as a Virgin who is standing behind a low wall supporting an arch. The top of this little wall was originally probably visible and seems to have been sawn off. This Virgin-and-Child type is frequently encountered in works by Memling and his followers, sometimes with the Child sitting on the wall. Related examples by Memling are: the Van Nieuwenhove Virgin (Memlingmuseum, Bruges); the Virgin and Child in Lisbon (Museu Nacional de Arte Antiga). A similar type by a Memling follower is in the Metropolitan Museum of Art, New York. The little work discussed here is also Memlingian from a stylistic point of view. The type of the Virgin with the bulging forehead, the long straight nose and the narrow bow-shaped eyebrows is particularly closely related to Memling. The faces, however, are flatter and squarer, especially in the case of the Child. Apart from the Virgin type the staffage and architectural surroundings have the same roots: red brocade hangings with vegetally decorated edges, brown marble columns on each side, perspective of a church interior with stained-glass windows consisting of small coloured squares. , Artist: UNKNOWN MASTER, Flemish , Virgin and Child , 1451-1500 , Flemish , painting , religious |
64042 |
|
Virgin and Child Crowned by Two Angels |
1490s Oil on wood, 103 x 76 cm Groeninge Museum, Bruges The Virgin and Child were copied from two different compositions by Rogier van der Weyden. , Artist: UNKNOWN MASTER, Flemish , Virgin and Child Crowned by Two Angels , 1451-1500 , Flemish , painting , religious |
41286 |
|
Virgin and Child Enthroned |
mk161
Polychromed oak
|
44434 |
|
Virgin and Child Enthroned with Scenes from the Life of the Virgin |
1270-75
Tempera on wood,
79,2 x 120 cm |
65254 |
|
Virgin and Child with Angels and Saints |
1400-25 Tempera on wood, 150 x 82 cm Museo del Prado, Madrid The picture shows the central panel of a polyptych called the Alterpiece of Archbishop Don Sancho de Rojas after the donator who is depicted kneeling at the left side of the painting. It comes from the church of San Benito (St Benedict) in Valladolid. The painter is identified as Rodriguez de Toledo, a representant of the Italo-Gothic painting in Castile. Artist: UNKNOWN MASTER, Spanish , Virgin and Child with Angels and Saints , 1401-1450 , Spanish , painting , religious |
64139 |
|
Virgin and Child with St Anne |
Tempera on canvas, 32,2 x 23,7 cm Museum Mayer van den Bergh, Antwerp , Artist: UNKNOWN MASTER, Flemish , Virgin and Child with St Anne , 1451-1500 , Flemish , painting , religious |
51992 |
|
Virgin and Child with St Catherine and St Barbara |
1520-25
Oil on oak panel,
87,5 x 66 cm |
77916 |
|
Virgin and Child. |
1530-1540
Oil on panel
61 ?? 42.5 cm (24 ?? 16.7 in)
cjr |
58171 |
|
Virgin and the saints |
mk261 Florence about the year 1365 -1370 Florence Art Gallery |
56783 |
|
Virgin birth |
mk250 Italy Siena Cathedral of St. Saiweiniusi altar, the year 1342. Wood color eggs, 185.4 x 180.3 cm. Siena Cathedral Museum. |
84122 |
|
Virgin in the Garden |
Date 1490s
Medium Oil on wood
cjr |
72202 |
|
Virgin of Mercy with Three Saints |
Date between 1734(1734) and 1767(1767)
Medium Oil on canvas
Dimensions 95.6 X 67.6 cm (37.64 X 26.61 in)
cyf |
52688 |
|
Virgin of the Immaculate Conception with Sts Andrew and John the Baptist |
1650-52 Oil on canvas, 234 x 167 cm |
42554 |
|
Vishnu op Ananta,Vishnu-tempel,Deogarh |
mk169
India
5e eeuw n.Chr
|
52192 |
|
Vision of St John the Evangelist |
c. 1450 Oil on oak panel, 132,3 x 161,5 cm |
38410 |
|
Vision of the Throne of the Lord |
c. 1400
Vellum, 27,5 x 18,5 cm |
63082 |
|
Visitation Group |
1211-25 Stone Cathedral, Rheims The most obvious direct imitations of the antique took place in Rheims in the years 1211-25. Of these imitations the figures of the Visitation are the most famous. The figures are on the exterior of the Cathedral as jamb figures (left side) of the central portal on the west fa?ade. The group consists of Archangel Gabriel with the Annunciate Virgin; Mary and Elizabeth. It is possible that the original intention was to decorate the whole west fa?ade with sculpture of this style. Artist: GOTHIC SCULPTOR, French Painting Title: Visitation Group , 1201-1250 Painting Style: French , sculpture Type: religious |
61460 |
|
vissarion grigorjevitj |
mk275 belinskij gav dostojevskijs arma man niskor lysande recensioner |
77042 |
|
Vista general de Guanajuato |
Vista general de Guanajuato. Original oil on canvas painting by Carl Nebel, original size 66??48.9 cm.
cjr |
48584 |
|
Vitruvius Britannicus |
mk190
1725
|
71997 |
|
Vladimir Makovsky |
oil painting on canvas
1876(1876)
|
53632 |
|
Vladimirmadonnan |
mk234
ca1125 75x53cm |
42612 |
|
Vogelangers |
MK169
1343 Fresco Chambre of the cerfs, Palais of the Porridge, Avignon |
73273 |
|
von Rosen Schlucht in Segewold beim Kaiserstuhl. |
von Rosen Schlucht in Segewold beim Kaiserstuhl.
cjr |
90345 |
|
Votive panel from St. Lambrecht Abbey, The Virgin of Mercy |
c. 1430
cjr |
61212 |
|
vrattinigen av avonarola och ans framsta an xngare |
mk274 vrattinigen av avonarola och ans framsta an xngare |
72316 |
|
Vue Prise Dans Les Environs De Amsterdam |
. 1878)
Oil on canvas, 65 x 101 cm (25 1/2 x 39 3/4 inches)
cyf |
52580 |
|
Vulcan Presenting Venus with Arms for Aeneas |
1757 Oil on canvas, 320 x 320 cm |
61364 |
|
vy over white hall tidigt 1600 tal |
mk274 vy over white hall tidigt 1600 tal |
57139 |
|
Vyatka Province, the pine forests |
mk253 canvas 117 x 165 cm Moscow, the State Tretyakov Gallery collection |
75382 |
|
Walk in the woods |
oil painting by Barend Cornelis Koekkoek
cyf |
34106 |
|
Wall painting a harbour from Stabiae |
mk89
before AD79 |
34105 |
|
Wall painting a pastoral scene in the romantic style,from pompeii |
mk89
before AD79
|
34103 |
|
Wall painting from Herculaneum showing in highly impres sionistic style the bringing of offerings to Dionysus |
mk89
|
34102 |
|
Wall painting from Pompeii showing the story of the Trojan Horse |
mk89
The Bold use of colour and economy of detail give great force to the composition |